Hear the Bollywood Star Shatrughan Sinha speaking favourably about Sindhi Community and their achievements. As you might recall He himself is a Bihari but is married to a Sindhi lady Komal Chandiramani, now Mrs Poonam Sinha.
Courtesy: Youtube + Ram Amarnani
Bhaghvanti Navani (Well known voice of Sindhi songs) and Surendar Kumar (Sindhi Indian singer). Bhaghvanti Navani was a great Sindhi singer lady. She was born in Nasarpur, Sindh, Pakistan, then migrated to India. She had left prominent mark on Sindhi music. She died in India.
Sindhi song “O Putda Kahidi Khapeyi Tokhe Kunwar” loaded by founder of Sindhi TV Mr Ram Amarnani.
Passion, love and peace have no frontiers and neither do the compassionate relationships, which is why a Bollywood production like Bajrangi Bhaijaan strikes an arpeggio with working class audiences all over the Indian sub-continent without taking into considerations the phony and abhorrent divides created by the ruling class of the region. The message conveyed by Bajrangi Bhaijaan is based upon the idea of peace, love and harmony toward humanity. It shouldn’t be taken as nationalistic or denominational neither it should be explained as triumph of one nuclear rival over the other. It is the main concern for all the human beings living in the heavily militarized, brittle and odious nuclear sub-continent and that of the mankind living across the globe. Bollywood’s production in a milieu where the Missiles and nuclear weapons are named after Prithvi, Abdali, Ghazanvi and Agni for icing the bitterness on the cake baked from the ingredients of centuries old religious rivalry is a ray of hope for the peace loving souls of the region. Record business at the Box Office proves the fact that the ruling elites at both Delhi and Islamabad must rethink and graduate their political wisdom to come out of the State policies based upon hate and violence because ordinary folks have spoken aloud across Radcliffe Line. Millions of ordinary folks and working class across the Radcliffe Line in Indian sub-continent wish to live in peace and harmony and their shared dream have been taken hostage by the political religions backed by warmongers in both the countries.
MUMBAI: Salman Khan and Kareena Kapoor starrer, Bajrangi Bhaijaan, revolves around the bonding between a little girl from Pakistan and a man (Salman Khan) from India. The trailer is already winning the hearts of the audience. Kareena, who plays Khan’s love interest in the film, recently shared her thoughts on visiting Pakistan.
According to a report, Bebo felt like going to Pakistan many times and that she even got an invitation from Lahore since Saif’s entire family is there. Kareena also added that she would love to visit the country, especially for its food as she is fond of Pakistani cuisine and that whenever she felt like going and if Saif made a plan, they would definitely visit.
News courtesy: Online Indus
Read more » http://www.onlineindus.com/kareena-wants-to-visit-pakistan/
By Rohit Vats, Hindustan Times, New Delhi
Film: Welcome To Karachi
Cast: Arshad Warsi, Jackky Bhagnani, Lauren Gottlieb
Director: Ashish R Mohan
Ashish R Mohan, the director of Welcome To Karachi, was Rohit Shetty’s assistant on many hit films before wielding the megaphone for 2012 film Khiladi 786. No wonder then that Shetty’s stamp is unmistakable in many scenes of Welcome To Karachi, especially comic ones. But can borrowing his teacher’s style save Ashish R Mohan’s film? Let’s find out.
Shammi Thakur (Arshad Warsi) is an ex-Navy captain who just can’t keep a tab on his overflowing emotions and equally wild tongue. As a result, he is dismissed from the Navy and is forced to spend most of his time with a good-for-nothing Gujarati boy Kedar Patel (Jackky Bhagnani). Kedar’s father Mitesh Patel (Dalip Tahil) is a boisterous Jamnagar-based businessman who wants his dim-witted son to take over. Kedar keeps failing and then one day he is supposed to take care of a semi-cruise wedding. As expected, this wedding turns out to be the turning point of Kedar’s life because it makes him land in Karachi, Pakistan.
News courtesy: SAMAA TV
Devastated by the news of the recent attack on Army Public School in Peshawar, Bollywood icon Anupam Kher has written an open letter to terrorists involved in the attack, reported Hindustan Times as it copied a copy of the letter.
Following are the words the renowned icon wrote:
Every time you commit a mindless act of terrorism, I die a little. Truth be told, I have been dying quite often of late; little by little.
I have died when bombs go off in civilian areas, when bystanders are held hostage, when airlines are hijacked, when defenceless people are killed and when the unarmed are sold as slaves.
But today, when you butchered over 130 children in cold blood in a school in Peshawar, I fear there is nothing left in me. I don’t know what your objective was, but you have certainly reduced me to a dead man walking.
What tenet of religiosity can you quote to justify such slaughtering of children? What twisted perception of which faith can you claim to adhere to? Does it require bravery to shoot barefaced children, innocents who do not understand the concept of conflict, much less the evil face of terrorism?
Killing children cannot be an act of faith in any religion. According to early reports, you are the same monsters who tried to kill Malala Yousufzai on October 9, 2012.
You did not kill her; her bravery won her the Noble Prize earlier this month.
Words cannot adequately despise the monstrosity which you have committed. True, there have been greater pogroms in history such as Lidice, Dachau, the purges of Stalin, the Cultural Revolution of Mao, the killing fields of Cambodia. But these were political movements or results of conflict.
What you have done today is something not reflected in history; the slaughter of innocents.
I cannot ascribe a category to which you could possibly belong. Even animals kill for a reason; out of fear or hunger. But you let loose bullets out of senselessness. Truly, you are beyond evil.
Pictures of war and conflict often move me. Today it was different. I saw a picture of a father who had tied the shoelace of his son before he sent him to the ill-fated school.
‘I have the shoe, but I have no son…’ he lamented.
I was not moved. I broke down.
Your dastardly act today will have united parents everywhere and earned you their curses. Time will prove that their curses will not have been in vain.
Read more » http://www.dawn.com/news/1151602/
Bollywood mourns Peshawar attack
by Asfia Afzal
As the Taliban attack on a military school in Peshawar has claimed more than 120 lives of school going children; people from across the globe have denounced the monstrous attack on humanity. Bollywood celebrities took to Twitter to show their concern regarding the Peshawar killings in Pakistan.
Ace director Karan Johar said, “The Peshawar killing is just heartbreaking, the death of humanity on every level, helplessness is the only feeling.”
Ritesh Deshmukh said, “Death of Humanity, Wake up World it’s not their issue it’s our issue we need to stand up. #PeshawarAttack”.
Dabbang actress Sonakshi Sinha shared her dismay regarding the recent incident and said, “Oh god! What’s happening in this world? Times like these make you question humanity. Everyone please pray for what’s happening in Peshawar. Terrorism has no religion. People who can do such a thing have no God. Prayers with all the parents and children going through this.”
Priyanka Chopra tweeted, “Watching TV and can’t stop crying. Can’t believe how religion can be used for such a horrid act of violence. No God says it’s ok to kill! and kids?!. I send out a prayer. Please God in whichever form and whatever name. Please teach your children to value human life. I pray for peace. #Peshawar”.
Read more » Business Recorder
See more » http://www.brecorder.com/arts-a-leisure/44-arts/211361-bollywood-mourns-peshawar-attack.html
Ranbir Kapoor and Katrina Kaif made headlines with the rumours of opting for a live-in relationship. According to a Mumbai Mirror report, Ranbir and Katrina had visited an architect for the interiors of their Bandra apartment. The report further stated that Katrina is indeed significant in Ranbir’s life which made him take the decision to move out of the Kapoor house. The home in question will reportedly be ready by next year. And Ranbir Kapoor is soon going to make a major announcement and surprise everyone.
Operation 021 is upcoming Pakistani spy-action thriller movie — to be released on Eid-ul-Azha
Courtesy: Daily Motion
Disney India and Ashutosh Gowariker Productions Pvt. Ltd (AGPPL) are to collaborate on Mohenjo Daro.
Directed by Gowariker, the film will star Hrithik Roshan and new comer Pooja Hegde in an epic adventure love story set at the time of the Indus Valley Civilization.
Mohenjo Daro, meaning Mound of the Dead in Sindhi, is a lost civilization that was abandoned in 19th century BCE. The city’s ruins lie in the Larkana district of Sindh, and are a designated Unesco World Heritage Site since 1980.
Given the settings, the movie is likely to be a sweeping historical extravaganza, along the lines of Jodhaa Akbar and Lagaan, the former also an association between UTV Motion Pictures (aka Disney India), while the latter an Oscar nominee for Best Foreign Film; both movies were critical and box-office hits.
According to a press release, Disney India Producer Sunita Gowariker said, “There has always been a natural creative synergy between UTV and AGPPL in our previous movies. This time through our collaboration with Disney we’ll have an even greater focus on entertaining families”.
“After Jodhaa Akbar, we are thrilled to work with Ashutosh and Hrithik again, and we are excited about bringing another wonderful Indian story to the big screen,” said Amrita Pandey, VP and Head of Marketing & Distribution, Disney Studios, India.
Mohenjo Daro is set to go into production in South Africa from October 2014.
Ashutosh Gowariker: Happy finally ‘Mohenjo-Daro’ happening!
The intelligent director has been working on the script for the past two years now. He’s glad that the movie is finally in the making!
“I have been working on the script for the past two years now. I am glad that finally it is happening,” Gowariker said here Tuesday at the first look launch of the film Unforgettable.
After helming successful historical drama Jodhaa Akbar in 2008, Gowariker came out with period drama Khelein Hum Jee Jaan Sey in 2010, but it was a flop.This is his second film with Hrithik after Jodhaa Akbar and he is excited about it.
Thanks to A. R. Rehman. Sindhi Sufi song “Moonkhy Takht Chhadayo” in Bollywood movie “Highway”. Music: Yash Raj. – – Sindhi the language of love and universal peace.
Courtesy: YouTube » Highway
Mathira’s back with new music video ‘Jhootha’
By Zehra Nabi
The video is produced by Beyond Studios.
Slackistan is an independent film directed by filmmaker, Hammad Khan. The film stars Shahbaz Hamid Shigri, Aisha Linnea Akhtar, Ali Rehman Khan, Shahana Khan Khalil, Osman Khalid Butt, Khalid Saeed and Rafey Alam. The film is distributed by Big Upstairs Films.
Entering the cinema, I wondered if Zinda Bhaag would be all that they were saying it was. Turns out the neo-realistic film, set in inner city Lahore and directed by Farjad Nabi and Meenu Gaur, was more. Watching the scene where Khaldi, a young man desperate to get out of Pakistan, looks with burning eyes and a quiet longing at his friend Chitta, who is leaving as an illegal immigrant to Italy, I realized that Pakistani cinema had finally arrived.
Zinda Bhaag is the country’s first entry to this year’s Oscars, in the foreign language film category. But equally important, the film’s box-office collections (75 lakh Pakistani rupees in its first week) are an indication that Pakistanis are returning to the cinema. Many youngsters queuing up at the new multiplexes mushrooming across cities are discovering Pakistani films for the first time.
For over a decade, barring the occasional activism-laden films, very few movies have been produced in Pakistan. After the fall of East Pakistan (now Bangaldesh), Pakistan lost over 1,100 cinema screens and a major chunk of talent and technical expertise of the film industry. That, coupled with the steep taxation policies of the mid-’70s, discouraged traditional investors, and new financers entered the game. “Investors, primarily from Punjab, who wanted to turn black money into white via the film industry affected the kind of films made,” says Pakistani film critic Rafay Mahmood, referring to the crass, violence-fuelled Punjabi entertainers that became the staple. Pushto films from the northwest province of Khyber Pakhtunkhwa suffered a similar fate.
Pakistani television then became the benchmark for quality, and soon cinema had to compete with this mass medium. Realistic serials like Khuda ki Basti (1969-74) and Waris (1980) were both critically-acclaimed and successful. The ban on Bollywood, in place since 1965, was only lifted in President Musharraf’s era, with a restored version of Mughal-e-Azam that paved the way for more Indian releases. But families preferred watching these films from across the border on their VCRs, as it was both convenient and cheaper.
The ‘revival’ of indigenous films today is due to a number of factors, including the success of Bollywood in Pakistan, which revived exhibitor interest. The advent of multiplexes over the last two years has also helped. The mid 2000s saw a surge in graduates from local institutes like the National Academy of Performing Arts (NAPA) in Karachi, all keen to act in films in Pakistan. They will find a supporter in Nadeem Mandviwalla, the man behind The Platform, Pakistan’s first independent film distribution body launched a few months ago. Mandviwalla promises to incentivize filmmakers experimenting with alternate genres by helping them with film distribution and promotions. Also the owner of multiscreen cinemas like Atrium in Karachi and Centaurus Cineplex in Islamabad, he is enthusiastic about the work he is seeing today. “An industry that had not made films for the last 10 years comes up with Mein Hoon Shahid Afridi (MHSA) and Waar. Imagine what they will produce a decade from now,” he says.
Courtesy: DailyMotion » Waar
I watched Zinda Bhaag at its World Premier in Toronto, incidentally on August 14, 2013 – Pakistan’s Independence Day. After a successful ten day run, followed by many reviews, and nominated for Pakistan’s official entry to the Oscars in the Best Foreign Language Film category, I thought I’d write my personal review of the film.
Using cricket lingo, Zinda Bhaag is not a Shahid Afridi sixer, or a T-20 slog. Instead, it is a technically perfect and faultless double hundred by a maestro like Javed Miandad, with its due share of sixers and boundaries. Like any double hundred, Zinda Bhaag not only gives a winning position to the team, it also plays a catalytic role in the popularity and promotion of the game, that is, the film industry in Pakistan.
My earlier reference to Shahid Afridi’s sixers and T-20 slogs was simply to explain that his sixers are part impulse, part response to public demand, and part reflex action, whose comprehension follows rather than precedes the act; whereas, Zinda Bhaag is neither. Although it has its fair share of adrenaline pumping shots and tense situations, it is a well-timed, well-planned, and well-executed game changer.
What makes a great film, you ask?
I have a formula which contains seven elements that all new directors must strive to achieve. The film’s directors, Meenu Gaur and Farjad Nabi, have adhered to it in their own way. The acronym of my formula is S.A.V.E.S.M.E. The first five letters denote elements intrinsic to a film, and the last two, in a way, are extraneous to the film. S.A.V.E.S stands for Script, Acting, Visuals, Editing and Soundtrack – and once the movie is made – M.E. stands for Marketing and Exhibition.
In my humble opinion, any film must score a minimum of B+ on the first five elements to be considered a serious attempt at film-making. I gave Zinda Bhaag an A+ on script, editing and sound track; while the acting of main characters oscillates between A+ and B+.
Although the budget constraints for its marketing and promotion are obvious, I still gave it a healthy B+ on its marketing since the intelligent use of social media and personal networks of the film-makers seem to be filling the gaps quite adequately.
Now, what exactly was so great about this film?
KARACHI : Pakistani film Zinda Bhaag has won four major awards at the the Mosaic 2013 (MISSAF) festival in Toronto.
The festival is Canada’s largest South Asian event and includes a music and film festival featuring some of the top names from the region. Among the contenders this year were Meera Nair’s adaptation of Mohsin Hamid’s The Reluctant Fundamentalist.
Zinda Bhaag, produced by Mazhar Zaidi and written and directed by Meenu Gaur and Farjad Nabi, won the prestigious best film award. Amna Ilyas bagged the best actress award and veteran Naghma Begum the best supporting actress for their roles in the film, that also features the Indian icon Nasiruddin Shah. Sahir Ali Bagga won the award for the best music/ soundtrack for his work.
Read more » The News
Courtesy: Pakistani Cinema
One brief encounter trapped with a Muslim women in an elevator will change the views of this man forever. The purpose of the video is that Islam urges help others because in humanity we are all one.
The language of the interview is urdu (Hindi).
Courtesy: Geo Tv » YouTube
Islamo-meter in the courts…and Anjuman Shahzadi
By Omar Ali
Back in the 1980, General Zia was “Islamizing” Pakistan, primarily by having several thousand people flogged (mostly for political offences..including a barber in,if i remember correctly, Faisalabad, for putting up Zia’s picture as one of the available hairstyles). I happened to chat with Sharif Sabir Sahib, an observant, reasonably orthodox Muslim (known as “Molvi Sharif Sabir”) and a great scholar of Punjabi (who also taught Persian). I asked him what he thought of this Islamization? He said “son, take an islamo-meter to the district court. The day it registers an even slightly positive reading, I will personally wash Zia’s feet with rose water”. Of course, both of us knew this was a safe bet.
Osama Sameer surveys how things look in the district courts today, further down the winding road that is taking us away from British India and towards Pakistan, fortress of Islam.
I am not posting this to help “the world understand us better”. How “the world” understands us is the least of our problems. Frankly (and I hope this does not strike anyone as rude) that is the sort of bullshit that buffoon Musharraf was known for. The idea that “the world” has misunderstood our lovable self. That if we can somehow “promote our soft image” (this was a phrase Mushie used several thousand times) and show the world that we paint trucks, we pray in petrol stations, we walk half naked down catwalks, then all will be well. I think this whole shtick is meaningless in the larger scheme of things. The world that matters (the people who start wars, sell oil, buy countries) doesnt care about any of that and neither do most Pakistanis. All of that is neither problem nor solution. Even the s0-called “ideology of Pakistan” (which i attack at every opportunity and Samosa and Riaz Haq sahib will defend till they have something more urgent to do) is a problem mostly because taking it seriously causes other, more real problems. If we can confine it to schoolbooks (preferably grade 5 and below) we can safely ignore it.
btw, If the world wants to understand ”moderate Islamic Pakistani” closer to street level, here is a Pakistani Mujra (an art form slightly older than catwalk modelling) by Anjuman Shahzadi, complete with “Hajji brothers” logo proudly displayed in the background (Hajji means someone who has been for Haj to Mecca). She died last year, apparently of infection and diabetes. Who knows.
She could be incredibly crude:
Read more » Brown Pundits
Singer – Ustad Rashid Khan.
Dubai: Pakistani actress Veena Malik has said that if she was in Hollywood, she would have to work according to the ‘culture’ there, even if it means going nude.
The dark haired beauty, famous for her Lollywood and Bollywood roles and outspoken views on fighting Pakistani Muslim traditions, is caught up in a scandalous affair posing naked on the front cover of India’s FHM magazine.
“… In Pakistan I work within the culture and in India or Bollywood I do the same,” Gulf News quoted her as saying.
“When I’m in Hollywood I would do what is expected of me within their industry. I’m an entertainer after all,” she said.
The controversial actress, who has been engaged twice in the past, called herself a romantic and said that some day, she would like to be a wife too.
“I really believe in love and marriage. I’m a real romantic and I want to be a wife some day but it has to be with the right person,” she said.
“I know someone will come along eventually. I believe that if you look for something you will eventually find it,” she added. ANI
Mohammed Rafi – Tu Hindu Banega Na Musalmaan Banega – Dhool Ka Phool 
“Dhool Ka Phool”  is an Indian Hindi film directed by Yash Chopra. Starring Rajendra Kumar, Mala Sinha, Manmohan Krishna and Nanda. Music is by N. Datta [Narayan Datta] and lyrics by Sahir Ludhianvi …
With her racy magazine cover, Pakistani actress Veena Malik has inflamed her homeland. She says Pakistan needs to stop the extremism—and now the country’s ‘honor brigade’ is after her.
In this month’s issue of FHM India, a racy men’s magazine, a saucy Pakistani actress, Veena Malik, rocked the Indian subcontinent with a topless cover photo, wearing only an ammo belt, a crossed arm over her cleavage, a grenade in her teeth, and a bold tattoo on her left bicep, “ISI,” for Pakistani’s nefarious intelligence agency, the Inter-Services Intelligence Directorate. The cover has been explosive. But while the West has viewed the furor with mild confusion or amusement, ….
Read more » The Daily Beast
Hindi Song From Bollywood Film, Guide, 1965, Dev Anand (26 September 1923 – 3 December 2011), Waheeda Rehman, Kishor Sahu, Anwar Hussain, Music By S.D.Burman, Directed By Vijay Anand.
Source » YouTube