Disney India and Ashutosh Gowariker Productions Pvt. Ltd (AGPPL) are to collaborate on Mohenjo Daro.
Directed by Gowariker, the film will star Hrithik Roshan and new comer Pooja Hegde in an epic adventure love story set at the time of the Indus Valley Civilization.
Mohenjo Daro, meaning Mound of the Dead in Sindhi, is a lost civilization that was abandoned in 19th century BCE. The city’s ruins lie in the Larkana district of Sindh, and are a designated Unesco World Heritage Site since 1980.
Given the settings, the movie is likely to be a sweeping historical extravaganza, along the lines of Jodhaa Akbar and Lagaan, the former also an association between UTV Motion Pictures (aka Disney India), while the latter an Oscar nominee for Best Foreign Film; both movies were critical and box-office hits.
According to a press release, Disney India Producer Sunita Gowariker said, “There has always been a natural creative synergy between UTV and AGPPL in our previous movies. This time through our collaboration with Disney we’ll have an even greater focus on entertaining families”.
“After Jodhaa Akbar, we are thrilled to work with Ashutosh and Hrithik again, and we are excited about bringing another wonderful Indian story to the big screen,” said Amrita Pandey, VP and Head of Marketing & Distribution, Disney Studios, India.
Mohenjo Daro is set to go into production in South Africa from October 2014.
Ashutosh Gowariker: Happy finally ‘Mohenjo-Daro’ happening!
The intelligent director has been working on the script for the past two years now. He’s glad that the movie is finally in the making!
“I have been working on the script for the past two years now. I am glad that finally it is happening,” Gowariker said here Tuesday at the first look launch of the film Unforgettable.
After helming successful historical drama Jodhaa Akbar in 2008, Gowariker came out with period drama Khelein Hum Jee Jaan Sey in 2010, but it was a flop.This is his second film with Hrithik after Jodhaa Akbar and he is excited about it.
Meanwhile in Pakistan, the natives (Sindhis) of the largest revenue-generating province, Sindh, of Pakistan took to the arteries of Karachi to demand independence from Pakistan. They alleged that Pakistan was not acknowledging their culture and historical status of a ‘nation’, whose roots are in the Mohen-jo-Daro, the ancient Indus civilization.
A couple of days back, while on work for the ‘Freedom March’, two leaders, Maqsood Qureshi and Salman Wadho, of the organizing Sindhi nationalist party, Jeay Sindh Qaumi Mahaz (JSQM), were found charred in a burned out car in Sindh. The post martem report holds it that they were shot multiple times before the car was set on fire. JSQM alleged that the Pakistani intelligence agencies were involved in the dual murder.
The Freedom March started back in 2012 when the then-party chairman, Bashir Khan Qureshi led the Freedom March in Karachi on March 23rd. The specific day is chosen because, on this day, Pakistan celebrates the passing of the Lahore Resolution, in which official demand for a separate country was upheld; however, unlike the status defined for the federating units to be ‘autonomous’, Pakistan violating the resolution itself made the federating units as ‘provinces’ and tried to paint all nations — Sindhi, Bengali, Baloch, Punjabi — as ONE single nation which all but Punjabis resisted and, consequently, the East Pakistan turned into Bangladesh.
Mr. Qureshi died two weeks past that march ‘mysteriously’.
So, two freedom march at the cost of two central leaders — brothers to each other.
Despite being the richest province of Pakistan, recently, scores of children died in the Thar area of Sindh due to what was being labelled as ‘famine’. Joblessness is prevalent. Poverty is at its bloom in Sindh. Natives are barred from decision-making process and migration from other parts of the country and the world is threatening the natives to turn into minority in their own historical homeland.
The so-called national (Read Urdu-language) media completely blacked out the coverage of the thousands of the Sindhi marching in the country’s largest commercial city, Karachi.
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WHAT was a Czech violinist Jaroslav Sveceny doing in Lahore recently?
Was he just another Raymond Davis-type of subversive, camouflaging his weaponry like an Italian mafia hit man in a violin case? Or was he something more sinister, a musical reactionary intent on disturbing our cultural complacency?
The moment Sveceny tucked his prized violin under his chin that evening and began playing, he reminded his audience (all graying and on the wrong side of 40) that he did not simply come from another country. He came from a different world, a world in which its citizens express themselves in sound, in colour and in musical notes. We in Pakistan by contrast are reconciled to thinking in silence. We view life in monochrome. We speak in a monotone. The only notes we recognise are bank notes.
It was not always like this. For thousands of years, we have laughed and sang and danced. One needs to remind oneself that the female figurine discovered at Mohenjodaro was a dancing girl, not some lacquered doll pouting on talk shows.