Tag Archives: movie

India is ready to talk about religion. Is Pakistan?

By Shehzad Ghias

The new Rajkumar Hirani-directed Bollywood movie PK starring Aamir Khan and Anushka Sharma has divided opinions in India. ‘#BanPK’ trended on Twitter, there were protests all over India and religious groups burnt posters of the movie at processions but the movie is in course to be the highest grossing Indian film of all time.

India’s silent majority is letting its position on the issue known by supporting the movie. There are no mass protests in support of the movie but the positive reviews online and thousands of people taking to social media to praise it shows India is ready to have the ‘religion’ debate.

There was outcry from religious groups, and threats of mob violence but the courts and the government must be admired for not bowing down under the pressure of these mobs. The Supreme Court passed a verdict simply saying,

“Don’t watch the film, if you don’t like it.”

It is not as if the religious groups are not as strong in India as in Pakistan, it is just that their state is stronger than ours. In a country with the writ of law, mobs cannot act with complete impunity. The Supreme Court judges who passed this judgment were not afraid they would be shot in their chambers after passing the judgment. Having worked in the legal fraternity in Pakistan, I can testify that some judges in Pakistan are afraid to pass judgments based on their feelings and reason in cases which may involve religion.

Continue reading India is ready to talk about religion. Is Pakistan?

Video clip from a Pakistani Movie ‘Slackistan’

Slackistan is an independent film directed by filmmaker, Hammad Khan. The film stars Shahbaz Hamid Shigri, Aisha Linnea Akhtar, Ali Rehman Khan, Shahana Khan Khalil, Osman Khalid Butt, Khalid Saeed and Rafey Alam. The film is distributed by Big Upstairs Films.

Courtesy: Spicy.pk
http://spicy.pk/video-from-movie-slackistan-which-was-banned-in-pakistan/

Pakistan: Back in the picture

By Farahnaz Zahidi

Entering the cinema, I wondered if Zinda Bhaag would be all that they were saying it was. Turns out the neo-realistic film, set in inner city Lahore and directed by Farjad Nabi and Meenu Gaur, was more. Watching the scene where Khaldi, a young man desperate to get out of Pakistan, looks with burning eyes and a quiet longing at his friend Chitta, who is leaving as an illegal immigrant to Italy, I realized that Pakistani cinema had finally arrived.

Zinda Bhaag is the country’s first entry to this year’s Oscars, in the foreign language film category. But equally important, the film’s box-office collections (75 lakh Pakistani rupees in its first week) are an indication that Pakistanis are returning to the cinema. Many youngsters queuing up at the new multiplexes mushrooming across cities are discovering Pakistani films for the first time.

For over a decade, barring the occasional activism-laden films, very few movies have been produced in Pakistan. After the fall of East Pakistan (now Bangaldesh), Pakistan lost over 1,100 cinema screens and a major chunk of talent and technical expertise of the film industry. That, coupled with the steep taxation policies of the mid-’70s, discouraged traditional investors, and new financers entered the game. “Investors, primarily from Punjab, who wanted to turn black money into white via the film industry affected the kind of films made,” says Pakistani film critic Rafay Mahmood, referring to the crass, violence-fuelled Punjabi entertainers that became the staple. Pushto films from the northwest province of Khyber Pakhtunkhwa suffered a similar fate.

Pakistani television then became the benchmark for quality, and soon cinema had to compete with this mass medium. Realistic serials like Khuda ki Basti (1969-74) and Waris (1980) were both critically-acclaimed and successful. The ban on Bollywood, in place since 1965, was only lifted in President Musharraf’s era, with a restored version of Mughal-e-Azam that paved the way for more Indian releases. But families preferred watching these films from across the border on their VCRs, as it was both convenient and cheaper.

The ‘revival’ of indigenous films today is due to a number of factors, including the success of Bollywood in Pakistan, which revived exhibitor interest. The advent of multiplexes over the last two years has also helped. The mid 2000s saw a surge in graduates from local institutes like the National Academy of Performing Arts (NAPA) in Karachi, all keen to act in films in Pakistan. They will find a supporter in Nadeem Mandviwalla, the man behind The Platform, Pakistan’s first independent film distribution body launched a few months ago. Mandviwalla promises to incentivize filmmakers experimenting with alternate genres by helping them with film distribution and promotions. Also the owner of multiscreen cinemas like Atrium in Karachi and Centaurus Cineplex in Islamabad, he is enthusiastic about the work he is seeing today. “An industry that had not made films for the last 10 years comes up with Mein Hoon Shahid Afridi (MHSA) and Waar. Imagine what they will produce a decade from now,” he says.

Continue reading Pakistan: Back in the picture

‘Zero Dark Thirty’

Our Little Worlds

By Saroop Ijaz

In a recent appallingly bad Hollywood movie, Pakistanis are shown conversing in Arabic, you know, because that is what ‘brown Muslim’ people speak. Rudyard Kipling, whose death anniversary passed a few days ago, has certainly not been forgotten. The movie is thoroughly unwatchable for multiple reasons. Yet, it does show the liberties that people will take with societies that they do not know or do not care enough to know. The film-makers did not need in depth research on the ground to know that Arabic is not the language of everyday chit-chat in Pakistan or Abbottabad is not exactly a 45-minute drive from Islamabad. (Although, on the language question, watching people dressed in Arab clothing and riding on camels on January 25, the particularly gullible can perhaps be cut some slack.) Basic Google search would have unravelled the mystery. Also, it shows that there are not many Pakistanis working in Hollywood. It is patronising and insulting when people make grossly inaccurate, generalised observations about us. Yet, it does not stop us from doing the same.

Continue reading ‘Zero Dark Thirty’

A bad movie plot

By: Irfan Husain

ANOTHER day, another crisis in Pakistan. What else is new? Given the roller-coaster ride we have been on these last few years, nothing has the power to surprise or shock anymore.

Even the fact that a warrant for the arrest of Makhdoom Shahabuddin has been issued just as he was filing his nomination papers for election to the prime ministership causes a big yawn.

If a screenwriter had crafted the script we have been following, a movie producer would have rejected it for being too unbelievable. The whole business about a tycoon bankrolling a series of multimillion dollar holidays for the chief justice’s son and his family is bizarre enough. But in a swift counterstroke, the prime minister is dismissed by the top judge, pushing his son’s scandal into the background.

Continue reading A bad movie plot

Dr. Shazia on Pakistani movie

The Muslims aren’t happy ! They’re not happy in Egypt. They’re not happy in Morocco. They’re not happy in Iran.
They’re not happy in Iraq. They’re not happy in Yemen.They’re not happy in Pakistan. And where are they happy?They’re happy in England. They’re happy in France. They’re happy in Germany. They’re happy in Sweden. They’re happy in every country that is not Muslim. And who do they blame? Not their leadership (policy makers). Not themselves. THEY BLAME THE COUNTRIES THEY ARE HAPPY IN …

Courtesy: → SZS → YouTube

A Must Watch Film

New theatrical trailer of upcoming movie from nine zero production. Staring Altaf Bhai in a melodious movie that grossed a loss of a million dollar yet entertained millions.

YouTube

Pakistani film BOL coming soon

Pakistani movie Bol takes you through a journey into the life of a family experiencing their troubles, sufferings, and resolves. As family members take decision to solve their problems they step into deeper troubles. The complexity of their circumstances becomes a struggle of life and death. JAB KHILA NAHEEN RAKH SAKTE TO PAIDA KYUN KARTE HO?

YouTube

M.F. Husain dies; famous Indian painter, 95, was in exile after death threats from Hindu hardliners

India’s most prominent painter, M.F. Hussain, dies in self-imposed exile at age 95

By Associated Press

NEW DELHI — M.F. Hussain, a former movie billboard artist who rose to become India’s most sought-after painter before going into self-imposed exile during an uproar over nude images of Hindu icons, died Thursday. He was 95.

CNN-IBN TV channel quoted a friend, Arun Vadehra, as saying that Hussain, often described as India’s Picasso, died at the Royal Brompton hospital in London. His lawyer, Akhil Sibal, confirmed the death to The Associated Press.

Hussain had lived in Dubai since 2006 after receiving death threats from Hindu hard-liners in India for a nude painting of a woman shaped like India’s map, often depicted as “Mother India” in popular arts, folklore and literature. A nude of Hindu goddess Saraswati also angered the hard-liners. ….

Read more: Washington Post

 

Robert Fisk

Robert Fisk: The destiny of this pageant lies in the Kingdom of Oil

The Middle East earthquake of the past five weeks has been the most tumultuous, shattering, mind-numbing experience in the history of the region since the fall of the Ottoman empire. For once, “shock and awe” was the right description.

The docile, supine, unregenerative, cringing Arabs of Orientalism have transformed themselves into fighters for the freedom, liberty and dignity which we Westerners have always assumed it was our unique role to play in the world. One after another, our satraps are falling, and the people we paid them to control are making their own history – our right to meddle in their affairs (which we will, of course, continue to exercise) has been diminished for ever.

The tectonic plates continue to shift, with tragic, brave – even blackly humorous – results. Countless are the Arab potentates who always claimed they wanted democracy in the Middle East. King Bashar of Syria is to improve public servants’ pay. King Bouteflika of Algeria has suddenly abandoned the country’s state of emergency. King Hamad of Bahrain has opened the doors of his prisons. King Bashir of Sudan will not stand for president again. King Abdullah of Jordan is studying the idea of a constitutional monarchy. And al-Qa’ida are, well, rather silent.

Who would have believed that the old man in the cave would suddenly have to step outside, dazzled, blinded by the sunlight of freedom rather than the Manichean darkness to which his eyes had become accustomed. Martyrs there were aplenty across the Muslim world – but not an Islamist banner to be seen. The young men and women bringing an end to their torment of dictators were mostly Muslims, but the human spirit was greater than the desire for death. They are Believers, yes – but they got there first, toppling Mubarak while Bin Laden’s henchmen still called for his overthrow on outdated videotapes.

But now a warning. It’s not over. We are experiencing today that warm, slightly clammy feeling before the thunder and lightning break out. Gaddafi’s final horror movie has yet to end, albeit with that terrible mix of farce and blood to which we are accustomed in the Middle East. And his impending doom is, needless to say, throwing into ever-sharper perspective the vile fawning of our own potentates. Berlusconi – who in many respects is already a ghastly mockery of Gaddafi himself – and Sarkozy, and Lord Blair of Isfahan are turning out to look even shabbier than we believed. Those faith-based eyes blessed Gaddafi the murderer. I did write at the time that Blair and Straw had forgotten the “whoops” factor, the reality that this weird light bulb was absolutely bonkers and would undoubtedly perform some other terrible act to shame our masters. And sure enough, every journalist is now going to have to add “Mr Blair’s office did not return our call” to his laptop keyboard.

Everyone is now telling Egypt to follow the “Turkish model” – this seems to involve a pleasant cocktail of democracy and carefully controlled Islam. But if this is true, Egypt’s army will keep an unwanted, undemocratic eye on its people for decades to come. As lawyer Ali Ezzatyar has pointed out, “Egypt’s military leaders have spoken of threats to the “Egyptian way of life”… in a not so subtle reference to threats from the Muslim Brotherhood. This can be seen as a page taken from the Turkish playbook.” The Turkish army turned up as kingmakers four times in modern Turkish history. And who but the Egyptian army, makers of Nasser, constructors of Sadat, got rid of the ex-army general Mubarak when the game was up?

And democracy – the real, unfettered, flawed but brilliant version which we in the West have so far lovingly (and rightly) cultivated for ourselves – is not going, in the Arab world, to rest happy with Israel’s pernicious treatment of Palestinians and its land theft in the West Bank. Now no longer the “only democracy in the Middle East”, Israel argued desperately – in company with Saudi Arabia, for heaven’s sake – that it was necessary to maintain Mubarak’s tyranny. It pressed the Muslim Brotherhood button in Washington and built up the usual Israeli lobby fear quotient to push Obama and La Clinton off the rails yet again. Faced with pro-democracy protesters in the lands of oppression, they duly went on backing the oppressors until it was too late. I love “orderly transition”. The “order” bit says it all. Only Israeli journalist Gideon Levy got it right. “We should be saying ‘Mabrouk Misr!’,” he said. Congratulations, Egypt!

Yet in Bahrain, I had a depressing experience. King Hamad and Crown Prince Salman have been bowing to their 70 per cent (80 per cent?) Shia population, opening prison doors, promising constitutional reforms. So I asked a government official in Manama if this was really possible. Why not have an elected prime minister instead of a member of the Khalifa royal family? He clucked his tongue. “Impossible,” he said. “The GCC would never permit this.” For GCC – the Gulf Co-operation Council – read Saudi Arabia. And here, I am afraid, our tale grows darker.

We pay too little attention to this autocratic band of robber princes; we think they are archaic, illiterate in modern politics, wealthy (yes, “beyond the dreams of Croesus”, etc), and we laughed when King Abdullah offered to make up any fall in bailouts from Washington to the Mubarak regime, and we laugh now when the old king promises $36bn to his citizens to keep their mouths shut. But this is no laughing matter. The Arab revolt which finally threw the Ottomans out of the Arab world started in the deserts of Arabia, its tribesmen trusting Lawrence and McMahon and the rest of our gang. And from Arabia came Wahabism, the deep and inebriating potion – white foam on the top of the black stuff – whose ghastly simplicity appealed to every would-be Islamist and suicide bomber in the Sunni Muslim world. The Saudis fostered Osama bin Laden and al-Qa’ida and the Taliban. Let us not even mention that they provided most of the 9/11 bombers. And the Saudis will now believe they are the only Muslims still in arms against the brightening world. I have an unhappy suspicion that the destiny of this pageant of Middle East history unfolding before us will be decided in the kingdom of oil, holy places and corruption. Watch out. ….

Read more : The Independent.co.uk

Jagruti- Sindhi film in Nagpur

Mumbai : First Ever Movie in Hindi about Sindhi Culture & Heritage “The Awakening Jagruti”. Enjoy watching story of a girl in search of her culture, with melodious rich Sindhi Music. It will touch your heart and you will relate her story with yourself. See prominent Advocate and Lok Sabha member Shree Ram Jethmalani on Silver screen. Enjoy heart throbbing foot taping disco Number by famous actress of Bollywood Preeti Jhangiani. Releasing in Smruti Cinema, Sadar, Nagpur on Sunday 19th at 9-30 am. Do not miss come with family and friends.

India’s dream of super power-dom

by B. R. GOWANI

Life has really changed in one decade! In 2000 the then President Bill Clinton, paid a five-hour visit to Pakistan (in an unmarked plane) where he lectured the citizens live on the national TV. In India, he spent five days. This was pre 9/11. Clinton’s visit to South Asia then seemed like Gora Bapa was in the land of Kali Mata, i.e., White Father in the land of (goddess) Mother Kali. …

…. Now India wants to be the Super Power with US as its role model. The positive factors for this status include: India’s territorial size, its population, the increasing pace of its technological advances, the entrepreneurship of its people, and the increasing interest of the west in its fashion and movie industry, particularly the Mumbai based Bollywood film industry …

To read full article : Globeistan