His Holiness Shri Ashutosh Maharaj was determined to be clinically dead by physicians in January 2014, but his followers insist he is in a state of deep meditation. The Punjab High Court is set to decide his state and therefore what will happen to his $170 million estate.
According to his wife and son, Maharaj died Jan. 29 of a heart attack. His death was confirmed by physicians and the Punjab police. His followers in the Divya Jyoti Jagrati Sansthan sect say he has achieved a transcendent state called “samadhi” where he is at one with the universe. They are keeping him “alive” in a commercial freezer in his ashram.
Maharaj’s family say that the sect’s elders are insisting he is alive so they can control his finances. Maharaj is one of India’s wealthiest religious leaders with an estate worth an estimated $170 million. Maharaj had no named successor so his fortune would remain in a charitable trust if declared dead by the courts.
The Punjab High Court has dismissed the police report, saying Maharaj’s death is a “spiritual matter.” It will hear an application from his wife and son to investigate his death and return his body.
Sufi legend Abida Parveen, who is on a trip to New Delhi for the Jahan-e-Khusrau festival said Sufism binds millions of people in the subcontinent and that the forthcoming festival is an effort to create a spiritual mood. The 10th edition of the three-day festival starts March 2 in New Delhi at Humayun’s Tomb. “Sufism has evolved from the beginning of this universe. It bridges the gap between the hearts. This festival brings different colours together. This is a message from heart to heart. This is an effort to create a spiritual context for the common people,” she said. Organised by the Rumi foundation and designed and directed by filmmaker-painter Muzaffar Ali, the three-day festival was announced by Ali and Abida Parveen and Sharmila Tagore-members of the Rumi Foundation. Parveen had been a part of the festival since its beginning, but couldn’t attend the festival last year due to health reasons. Jahan-e-Khusrau 2012 will see performances by Abida Parveen, Ali Zafar, Hans Raj Hans, Andrea Griminelli (Italian flautist) and will also introduce new faces like Indra Naik, Vidhi Sharma, Rajesh Pandey, Vidhi Lal, and Shivani Varma. Reminiscing on her long association with the festival, Parveen said that whenever she comes to perform for Jahan e Khusrau “an extraordinary noorani (blissful) process begins. The Rumi Foundation knows how to collect different colours and create an atmosphere which is so pure and durgahi that no difference is felt between the one who’s singing and the one who’s listening. Even if one person gets attached with the Sufi saints in such an atmosphere, it’s enough to break all barriers of faith and territorial boundaries,” she said. “Tasawuf (a Sufi term that means focusing on one’s relationship with God) is God’s name. We don’t need any language or identity to understand Allah,” added the singer. Celebrating 10th year of Jahan-e-Khusrau, Muzaffar Ali maintained that the journey of Jahan e Khusrau began with the thought of bringing all pure souls together on one platform in Delhi, a city of great souls and saints. Over the last decade, Jahan e Khusrau has presented rare poetry of the mystics of the sub-continent. It has showcased Sufi singers, dancers and musicians, including Azam Ali, Masood Habibi, Shubha Mudgal, Shafqat Ali Khan, Shubjaat Hussain Khan to introducing fresh promising talent such as Zila Khan, Archana Shah, Indira Naik and Rajesh Pandey among others.
My Life as a Daughter in the Christian Patriarchy Movement — How I Was Taught to Obey Men, Birth 8 Kids and Do Battle Against Secular America
We were raised to fight the enemy, be it Satan or environmentalists and feminists; to come against them in spiritual warfare and at the polls.
By Libby Anne
Deep within America, beyond your typical evangelicals and run of the mill fundamentalists, nurtured within the homeschool movement and growing by the day, are the Christian Patriarchy and Quiverfull movements. This is where I grew up.
I learned that women are to be homemakers while men are to be protectors and providers. I was taught that a woman should not have a career, but should rather keep the home and raise the children and submit to her husband, who was her god-given head and authority. I learned that homeschooling is the only godly way to raise children, because to send them to public school is to turn a child over to the government and the secular humanists. I was taught that children must be trained up in the way they should go every minute of every day. I learned that a woman is always under male authority, first her father, then her husband, and perhaps, someday, her son. I was told that children are always a blessing, and that it was imperative to raise up quivers full of warriors for Christ, equipped to take back the culture and restore it to its Christian foundations. …
Shabnam Virmani is a filmmaker and artist in residence at the Srishti School of Art, Design and Technology in Bangalore, India. 7 years ago she started travelling with folk singers in Malwa, Rajasthan and Pakistan in a quest for the spiritual and socio-political resonances of the 15th century mystic poet Kabir in our contemporary worlds. Among the tangible outcomes of these journeys were a series of 4 musical documentary films, several music CDs and books of the poetry in translation (www.kabirproject.org). Inspired by the inclusive spirit of folk music, she has begun to play the tambura and sing folk songs of Kabir herself. Currently she is working on co-creating a web-museum of Kabir poetry & music with folk singer communities in India and developing ideas for taking mystic poetry and folk music to school classrooms. She continues to journey to new areas such as Kutch, Gujarat and draw inspiration not only from Kabir, but also other mystic poets of the sub-continent [such as Shah Abdul Latif] and the oral folk traditions that carry them to us. Her earlier work consisted of several video and radio programs created in close partnership with grassroots women’s groups in India.