Tag Archives: Romantic

Kashmir: A troubled paradise

– As a child growing up after India’s partition, Kashmir to me was always a part of India. Only in middle school did I begin to realize that it was considered “disputed territory” by much of the world, the sentiment being especially fierce in neighboring Pakistan. The map of India that we studied in school showed Indian Kashmir as a larger territory than what was actually under Indian control. Parts of it in the north and the west were in reality, within China and Pakistan. The scenic northernmost state, a popular destination for summer tourism and the backdrop of many a puerile romantic song & dance number of made-in-Bombay movies, was not a very urgent topic of discussion for the general Indian public. Kashmir for most Indians, evoked benign, pretty images of apple, apricot and walnut orchards, chinar trees, shimmering lakes, snow capped mountains, houseboats, fine pashmina shawls, lacquered papier mache ornaments and the valley’s light skinned aloof inhabitants.

Later in my teen years I began to understand that Kashmir was not the placid paradise we had imagined as children. Its politics were complicated and its population sharply divided on the state’s rightful status – part of India, part of Pakistan or a wholly independent/ autonomous entity. The difference of opinion fell across religious lines. Kashmiri Hindus wished to remain with India and the majority Muslim population of the state did not. Even then, things were mostly quiet and free of turmoil. There were quite a few Kashmiri students in my school. Many had ancestral homes and relatives in Kashmir and they visited there regularly during summer breaks. Those friends were all Hindus. Come to think of it, I did not know a single Kashmiri Muslim on a personal level until I was in college. There were Muslim traders and merchants who came down to major Indian cities bearing expensive and much coveted Kashmiri merchandise such as saffron, dried fruit, nuts and embroidered woollens, but they did not reside in the plains permanently and their children did not attend our schools. The first Kashmiri Muslim I came to know well was Agha Shahid Ali, a graduate student a few years ahead of me in Delhi University who later became a lecturer of English at my college as also a poet of some renown. It was Ali who first revealed to me that most Kashmiri Muslims did not identify themselves as Indians and many felt a greater emotional and cultural allegiance with Pakistan. An equal number wanted an autonomous state with a very loose federation with India for economic reasons. The Indian government spent large sums of money to subsidize the state’s economy and prohibited non-Kashmiris from buying land there while also meddling in local politics. Kashmiris became increasingly suspicious of the central government’s motives and the rift with India widened both politically and culturally.

Despite tensions and uncertainties, Kashmir never experienced the sectarian violence that had racked the eastern and western wings of India around partition time. Even when India and Pakistan fought several wars over their disagreement surrounding the region, Kashmir itself remained relatively free of communal strife for many decades after India’s independence. The uneasy calm ended in the late 1980s and early ’90s when the Kashmir valley became a battle ground for armed insurgents trained in Pakistan and the Indian military forces. The conflict caused a communal rift among long time residents and resulted in a mass exodus (some say expulsion) of Kashmiri Hindus from their homes. Those tensions remain to this day laced with bitterness on both sides.

I had never visited Kashmir when I lived in India. By the time the political upheaval unfolded in the 1990s, I had already left and had been living abroad for a decade. Kashmir’s troubles and deteriorating political situation were not something I paid close attention to until the Kargil War erupted in 1999. It became clear then that Kashmir had become an intractable problem for India. I am still not sure how I feel about the situation. What can India gain by holding on to a territory whose residents do not want to be a part of India? Can India protect regions like Ladakh and Jammu in the vicinity which identify firmly with the rest of India? What would happen if India does decide to vacate the valley and stops spending money to placate the population and maintain the large presence of its armed forces? Would Kashmir valley remain “independent” or will some other country like China or Pakistan march in and establish control even closer to other Indian states? How does one balance the interests of Kashmiris and the rest of India? Is peace ever possible when the citizenry perceives the government as an “occupying force?” Most confusing of all, will Kashmiri Hindus be permitted go back to the homes they abandoned out of fear and panic? And even if it was possible, would they ever want to return to a place that had cut all ties to India? ….

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In her novel “Aag Ka Darya”, a world class urdu writer, Qurattulain Haider, had raised questions about Partition and had rejected the two-nation theory

– The misfits of society

by Waseem Altaf

Qurattulain Haider, writer of the greatest urdu novel “Aag Ka Darya” had come to Pakistan in 1949. By then she had attained the stature of a world class writer. She joined the Press Information Department and served there for quite some time. In 1959 her greatest novel ‘Aag ka Darya’ was published. ‘Aag Ka Dariya’ raised important questions about Partition and rejected the two-nation theory. It was this more than anything else that made it impossible for her to continue in Pakistan, so she left for India and permanently settled there.

Sahir Ludhianvi, one of the finest romantic poets of Urdu language settled in Lahore in 1943 where he worked for a number of literary magazines. Everything was alright until after partition when his inflammatory writings (communist views and ideology) in the magazine Savera resulted in the issuing of a warrant for his arrest by the Government of Pakistan. In 1949 Sahir fled to India and never looked back.

Sajjad Zaheer, the renowned progressive writer Marxist thinker and revolutionary who came to Pakistan after partition, was implicated in Rawalpindi Conspiracy Case and was extradited to India in 1954.

Ustad Bade Ghulam Ali Khan was a Pakistani citizen, regarded as one of the greatest classical singers of the sub continent, was so disillusioned by the apathy shown towards him and his art that he applied for, and was granted a permanent Indian immigrant visa in 1957-58. He migrated to India and lived happily thereafter. All of the above lived a peaceful and prosperous life in India and were conferred numerous national awards by the Government of India.

Now let’s see the scene on the other side of Radcliff line.

Saadat Hassan Manto a renowned short story writer migrated to Pakistan after 1947. Here he was tried thrice for obscenity in his writings. Disheartened and financially broke he expired at the age of 42. In 2005, on his fiftieth death anniversary, the Government of Pakistan issued a commemorative postage stamp.

Zia Sarhadi the Marxist activist and a film director who gave us such memorable films as ‘Footpath’ and ‘Humlog’, was a celebrity in Bombay when he chose to migrate to Pakistan. ‘Rahguzar’, his first movie in this country, turned out to be the last that he ever directed. During General Ziaul Haq’s martial law, he was picked up by the army and kept in solitary confinement in terrible conditions. The charges against him were sedition and an inclination towards Marxism. On his release, he left the country to settle permanently in the UK and never came back.

Faiz Ahmad Faiz, one of the greatest Urdu poets of the 20th century was arrested in 1951 under Safety Act and charged in the Rawalpindi Conspiracy case. Later he was jailed for more than four years.

Professor Abdussalam the internationally recognized Pakistani physicist was disowned by his own country due to his religious beliefs. He went to Italy and settled there. He could have been murdered in the holy land but was awarded the Nobel Prize in the West for his contribution in the field of theoretical physics. Meanwhile his tombstone at Rabwah (now Chenab Nagar) was disfigured under the supervision of a local magistrate. This was our way of paying tribute to the great scientist.

Rafiq Ghazanvi was one of sub-continent’s most attractive, capable and versatile artists. He was an actor, composer and singer. He composed music for a number of films in Bombay like Punarmilan, Laila majnu and Sikandar. After partition he came to Karachi where he was offered a petty job at Radio Pakistan. He later resigned and spent the rest of his life in seclusion. He died in Karachi in 1974.

Sheila Ramani was the heroine of Dev Anand’s ”taxi driver” and “fantoosh” released in the 50’s. She was a Sindhi and came to Karachi where her uncle Sheikh Latif was a producer. She played the lead in Pakistani film ”anokhi” which had the famous song ”gari ko chalana babu” However seeing little prospects of any cinematic activity at Karachi, she moved back to India.

Ustad Daman, the ‘simpleton’ Punjabi poet had flair of his own. Due to his unorthodox views, many a times he was sent behind bars. Pandit Jawaharlal Nehru offered him Indian citizenship which he refused. The reward he received here was the discovery of a bomb from his shabby house for which he was sent to jail by the populist leader Mr.Zulfiqar Ali Bhutto.

Had Mohammad Rafi the versatile of all male singers of the Indian sub-continent chosen to stay in Pakistan, what would have been his fate. A barber in the slums of Bilal Gunj in Lahore, while Dilip Kumar selling dry fruit in Qissa Khawani Bazaar, Peshawar.

Ustad Salamat Ali a bhagwan in Atari turned out to be a mirasi in Wahga all his life. Last time I met him at his rented house in Islamabad, he was in bad shape.

We also find Nusrat Fateh Ali Khan who went to India and was treated like a god. His compositions recorded in India became all time hits not only in Pakistan and India but all over the world. Rahat Fateh Ali Khan, Faakhir, Ali Zafar and Atif Aslam frequently visit India and their talent is duly recognized by a culture where art and music is part of life. Adnan Sami has even obtained Indian citizenship and has permanently settled there. Salma Agha and Zeba Bakhtiar got fame after they acted in Indian films. Meanwhile Veena Malik is getting death threats here and is currently nowhere to be seen. Sohail Rana the composer was so disillusioned here that he permanently got settled in Canada. Earlier on Saleem Raza the accomplished singer immigrated to Canada. I was told by a friend that Saleem Raza was once invited by some liberal students to perform at Punjab University when the goons of Islami Jamiat-e-Talaba attacked him and paraded him in an objectionable posture in front of the students.

After returning to Pakistan the chhote ustads of “star plus” who achieved stardom in India have gone into oblivion, while Amanat Ali and Saira Reza of “sa re ga ma” fame have disappeared. And ask Sheema Kirmani and Naheed Siddiqui, the accomplished dancers how conducive the environment here is for the growth of performing arts.

A country gets recognition through its intelligentsia and artists. They are the real assets of a nation. The cultural growth of a society is not possible without these individuals acting as the precursors of change. Unfortunately this state was not created, nor was it meant for these kinds of people. It was carved out for hypocrites and looters who could have enjoyed a heyday without any fear or restraint.

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